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DAVID SIMPATICO
(librettist) has written for the stage, film, television and the concert stage. David's most recent work was the solo musical
Whida Peru: Resurrection Tangle with a score by Josh Schmidt, directed by Jonathan Butterell, as part of the Inner
Voices Festival in NYC. He has adapted both High School Musical 1 and 2 for Disney Theatricals, which included multiple
US and international tours and a production at London's Hammersmith Apollo. David also worked with Franco Dragone and composer
David Yazbek (The Full Monty) developing a circus/Dr. Seuss project. He has just finished Cruel Shoes, a
new backstage musical comedy with a score by Ross Patterson (cruelshoesthemusical.com). His screenplay Mike's Makeover has been optioned by PicturePlay Films; Marylin Agrello (Mad Hot Ballroom)
is set to direct. Other recent commissions include: the stage adaptation of Truman Capote's In Cold Blood, Disney's
Alice in Wonderland for the Disney Company, Antonya Nelson's novel Nobody's Girl for film, and Ernst Lubitsch's
Trouble in Paradise with the Hourglass Group. He received the Jonathan Larson Award for his libretto for The
Screams of Kitty Genovese. David is a graduate of Northwestern University in Chicago, Illinois and lives in NYC with
his husband and muse, Robert Strickstein.
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WILL TODD (composer) His output includes opera, musicals, oratorio, orchestral
and religious works, and his music has been performed throughout the UK, in Europe and in the USA. Notable works include the
opera The Blackened Man which won second prize in the 2002 International Verdi Opera Competition, and was subsequently
staged at the 2004 Buxton Festival; the oratorio Saint Cuthbert which has been performed many times and recorded
by the Hallé Orchestra; music theatre work The Screams of Kitty Genovese, produced most recently at the New
York Musical Theater Festival; and the cantata The Burning Road - written to celebrate the 60th anniversary of the
Jarrow March. Will's jazz mass setting, Mass in Blue has been performed more than fifty times around the world
since its 2003 premiere, as well featuring on two commercial recordings - most recently by the Vasari Singers for Signum Records.
Recent premieres have included his Requiem for choir, soprano and electric guitar, premiered by the Fairhaven
Singers in Cambridge and London in March 2009 and recorded on TYA003; Praise the Lord O my Soul for the Southern
Cathedrals Festival 2009; Te Deum for the Vivace Chorus in Guildford under Jeremy Backhouse; and Jazz Concerto
for clarinet - a new clarinet concerto for Emma Johnson, co-premiered by the Brighton Philharmonic Orchestra and Milton Keynes
City Orchestra.
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DAVID EDWARDS (director) is a freelance director,
writer and presenter. He was born in London and graduated in Classics from Cambridge University. David has directed opera
around the world (including San Francisco, San Diego, Los Angeles, Portland, Houston, Minneapolis, Chicago, Philadelphia,
London, Milan, Vienna, Singapore and Tokyo). He staged the premiere of Will Todd's The Blackened Man at the Buxton
Festival in 2004 and The Screams of Kitty Genovese at the New York Musical Theater Festival in 2006. Theatre work
includes The Queen Of Spades and Oh! What A Lovely War (Cambridge). His original scripts have been performed
in London and Aldeburgh (Wagner & Berlioz; Verdi in Venice; Wagner, Britten & the Sea, From Bayeuth to Busseto,
Verdi's Singers on record) and at the Chicago Humanities Festival (Opera
At The Movies, Exiled In America). David visits Tokyo every year to direct a production with the Young Artists at the
New National Theatre (most recently Albert Herring and Falstaff) and his production of Falstaff
for Diva Opera is currently on tour in Europe. He is Production Director for The Mastersingers and regularly tutors students
at the Motley Theatre Design Course in London. SINGLE MALT PRODUCTIONS (producer) was formed by Staci Levine, Michael Nassar, Pamela Lloyd, and Christian Pimsner
for the purpose of producing The Screams of Kitty Genovese. Individually
and collectively they have worked as Producers and General Managers on Broadway, Off-Broadway, on tour and at regional theaters
throughout the United States, Australia and in London.
STACI LEVINE (producer) is an independent producer/general manager based in NYC.
She is producing the upcoming US tour of John Lithgow’s one-man show, Stories By Heart and produces
the on-going tours of Mandy Patinkin in Concert and An Evening with Patti LuPone and Mandy Patinkin. Also
on her dance card: the upcoming tours of Leslie Jordan’s My Trip Down the Pink Carpet and The Broadway
Boys. She is excited to bring Kitty Genovese to the UK, having previously produced the show at the NY Music Theatre Festival.
Staci has produced other works by David Simpatico (Kitty’s librettist) including his play Mary and short
film Wish Fulfillment. Other projects include The Drama Desk Awards (Coordinating Producer), events for Just Food,
The University of Texas, BBC Radio, Class Productions and a handful of projects in development. Staci was the General Manager
for dre.dance, a contemporary dance company created by Taye Diggs and Andrew Palermo and was associated with Dodger Theatricals,
working on numerous Broadway, Off-Broadway and touring productions including Titanic, Footloose, High
Society, Blast!, The Music Man, 42nd Street, 1776, Wrong Mountain, Into
the Woods, Bare, Urinetown, Dracula and Good Vibrations, as a member of Dodger Management
Group. She proudly sits on the board of directors for chashama and dre.dance. MICHAEL NASSAR
(producer) currently toils away at Showtime on the television shows Nurse Jackie, Dexter, The Big C
and Weeds among others. Previously he served as Associate Artistic Director of the National Music Theater Conference
at the O’Neill Center (2010 Special Tony Award) aiding and abetting the development of more than thirty new music theater
works, the majority of which went on to further productions across the United States and abroad. Included: 2008
Tony Award winning Best Musical In The Heights; 2004 Tony Award winning Best Musical Avenue Q; Maryrose
Wood and Andrew Gerle’s Richard Rodgers Award winner, The Tutor; Maltby/Shire’s newest,
Take Flight; David Simpatico and Will Todd’s The Screams of Kitty Genovese; Kirsten Childs’
The Bubbly Black Girl Sheds Her Chameleon Skin; Stuart Ross, Ira Gasman, Debra Barsha and Joey McKneely’s
Radiant Baby; Andrew Lippa’s The Wild Party; Joe Masteroff and Howard Marren’s Paramour;
Stuart Ross and Mark Hampton’s The Boswell Sisters among many others. At the O’Neill, he also had
the pleasure of creating The Laboratory, an experiment in collaboration that brought together eight varied writers and composers
to create 16 new musical works, which were later assembled into the full-length evening 8 is Enough. He
has served on distinguished panels for The American Academy of Arts and Letter, The Dramatist’s Guild, ASCAP/Disney,
and Theatre Resources Unlimited. In his spare time he is an award-winning journalist. www.michaelnassar.net. PAMELA
LLOYD & CHRISTIAN PIMSNER (producer) formed Sterling
Bridge Productions in 2005 to produce 2006 Drama Desk Award Winner and GLAAD Media Award Nominee Christine Jorgensen Reveals.
Other projects include a refreshing new look at 1960's Brazilian jazz entitled Conjunto Suor. In development: A film
and graphic novel in the horror genre. Since 2002, Pamela has worked for the Dodgers (Jersey Boys on Broadway, and
Jersey Boys productions in London, Sydney, Toronto, Las Vegas and on tour in North America.) She is a member of Broad
Horizons Theater Company, and graduate of Penn State University and the Commercial Theater Institute. Christian attended Ohio
University studying English Literature with a concentration in Shakespeare. He has worked in the media
& entertainment world for 15 years and is currently the Director of East Coast Sales for MOG (www.mog.com) one of the
largest music destinations on the web featuring over 1,200 of today's hottest and most influential music sites and blogs showcasing
fresh, original content. MOG has also successfully launched the premiere cloud-based subscription music service giving users
on-demand access to music 24/7
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COLIN MAYES (Designer)
trained with the Royal Shakespeare Company, creating designs for Christopher Columbus and Escorial - the
inaugural productions of The Other Place, Stratford-upon-Avon. Credits range from opera, drama & musicals to dance and
cabaret shows across England and abroad. Opera credits include Die Zauberflöte, Albert Herring and
Falstaff for the New National Theatre, Tokyo; The Pilgrim’s Progress, Sadler’s Wells; Carmen,
ENO/Milton Keynes project; The Ring Cycle, Covent Garden Festival; Don Giovanni, Bernini Ensemble;
Die Walküre, Mastersingers at the RAM London; Ariadne auf Naxo,s Bank Farm; Suor Angelica,
Le Rossignol and Cendrillon for City Opera; the world premiere of Cry Of Innocence for Gye Nyame,
Greenwich. Assistant Designer on La Traviata Toronto; Peter Grimes, Kent Opera; Medea, ROH; L’elisir
d’Amore, Dublin; Cav & Pag, Scottish Opera. Theatre Credits include: Tess of the d’Urbervilles,
Salisbury Playhouse; The Queen of Spades and I New End, Hampstead; Audience with Murder and
On your Honour, Jermyn Street; Jabberwocky, The Bush Theatre; Having a Ball and Bouncers,
Theatre Royal, Northampton; Habeas Corpus, The Real Thing, Something’s Afoot, Milford
Haven; Arthur - The Knight Before Christmas, Chicken Shed Theatre. Musicals include: Lady Day at Emerson’s
Bar & Grill, New Players & National Tour; Blues in the Night, Little Shop of Horrors, Derby
Playhouse; The Pirates of Penzance, Oklahoma!, Anything Goes for the Yvonne Arnaud, Guildford;
Cabaret Halikanos for Bodrum Halikanos, Turkey. Colin has also designed over fifty productions for various Drama
Colleges, is resident Designer at ArtsEd, London, and Head of Design/Production Associate for Double Honours Productions.
Fridthjofur Thorsteinsson (Lighting Desginer)
graduated with BA (Hons) in lighting design from the Central School of Speech and Drama in London and has since been UK based
as a freelance lighting designer. Originally from Iceland, he has credits from the Icelandic National Theatre, the Reykjavik
City Theatre, the Icelandic Dance Company, Vesturport and more. Credits from outside Iceland and the UK include Germany, Estonia
and New York. His design forGodfather Death (Warhorse Theatreworks) recieved an award from the Association of
Lighting designers in its annual student competition. Credits in DANCE include: Shrewlands and dirty
pretty things (Morgann Runacre-Temple), The shortest day and Forest (James
Wilton), In the beginning there was... (Raymond Chai); in THEATRE: The Woman in Black (2o1o
Tour Re-lights, PW Producitons), A latesummer’s night dream (Millpond Media), Why does the
child boil in polenta (in nothing flat) and more. Upcoming projects include Ballet Ireland’s production of Romeo
and Juliet. Please visit http://fif.fi for more information. GARETH SIZER (sound designer) born in Norfolk, has been working in the industry since 1998. He has worked on
a variety of shows including, Grease, Thriller Live,
Rat Pack at the Adelphi London and Joseph and his
Amazing Technicolored Dreamcoat. He is absolutely thrilled to working on his first show to visit the Edinburgh fringe.
Gareth is currently working in the west end on Dreamboats and Petticoats at the Playhouse Theatre. DAVE PALMER (sound designer) Dave started his career touring the UK with The Drifters and has
since been involved in sound on numerous theatre shows including Disney’s Beauty and
the Beast and High School Musical. He is currently head of sound on London’s
west end production of Dreamboats & Petticoats. Dave is very
excited to be involved in The Screams of Kitty Genovese and wishes the show a very
successful run.
JULIAN BLACK (Assistant
Music Director) was a member of the National Youth Orchestra of Great Britain on French Horn. He went on to read Music at
Christ’s College, Cambridge. At Cambridge, Julian held conductorships with the Cambridge orchestras. With
Cambridge University Opera Society, he music-directed several staged operatic productions (Hansel and Gretel, Les
Mamelles de Tirésias, Gianni Schicchi), as well as The Pirates of Penzance at the Cambridge
Arts Theatre. He was also Music Director for productions of Anything Goes (2008) and My Fair Lady (2009)
at the latter venue. Upon leaving Cambridge, Julian founded the Ardente Opera Company, whom he conducted in a Hindemith triple
bill in January 2009. In January 2010, he conducted a semi-staged production of Frank Martin’s Le Vin Herbé
with Ardente, described as ‘a notable collective achievement’ by Martin Kettle in the Guardian. In September 2010, Julian starts on the National Opera Studio Repetiteur's
Course as well as taking up the post of Director of Music at St. Margaret’s, Putney. Thomas Gray (electric guitar)
studied music at King’s College London and the West London Institute. He has played with artists including
Brian May, Roger Taylor, Rod Argent, the BBC Concert Orchestra, Steve Balsamo, Richard Niles and Philip Pope, plays and sings
with several bands including his own Thomas Gray Band and internationally renowned Killer Queen, runs music workshops for
Streetwise Opera, the Royal Albert Hall, TCT and Surrey Arts and has performed extensively with Live Music Now. Also a composer,
musical director and producer, he has worked on many theatrical productions and film scores. Previous work with Will Todd
includes Whirlwind and Requiem. Jim Fleeman (percussion) studied Jazz
at the Guildhall School of Music and has since led a varied and extensive career, working with artists such as Martha Reeves
& the Vandellas, Mark Eitzel, Kenny Wheeler, Omar, Damon Albarn, Jason Rebello and Mike Figgis, as well appearing in many
television and radio broadcasts and theatre productions. He has been performing and recording with Will
Todd since 1999 and plays drums in the Will Todd Trio.
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